Under the name of Nehemiah Higginbottom I contributed three sonnets, the first of which had for its object to excite a good-natured laugh at the spirit of doleful egotism and at the recurrence of favourite phrases, with the double defect of being at once trite and licentious. The second was on low creeping language and thoughts under the pretence of simplicity. The third, the phrases of which were borrowed entirely from my own poems, on the indiscriminate use of elaborate and swelling language and imagery. ... So general at the time and so decided was the opinion concerning the characteristic vices of my style that a celebrated physician (now alas ! no more) speaking of me in other respects with his usual kindness to a gentleman who was about to meet me at a dinner-party could not, however, resist giving him a hint not to mention The House that Jack Built in my presence, for that I was as sore as a boil about that sonnet, he not knowing that I was myself the author of it.
Here is Royall Tyler's introduction to his two sonnets published in The Spirit of the Farmers' Museum and the Lay Preacher's Gazette:
The plaintive and affected style of Charlotte Smith is familiar, it is supposed, to most readers. Criticism has frowned upon the verbose grief of a sobbing poetess. . . . We insert the following as a pleasant introduction to an attack soon to be made upon the above sighing sonneteer from the Shop of Colon and Spondee.
They are evidently talking about the same sonnet ("On a Ruined House in a Romantic Country").
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